| Bootlegged at the Temple [2000] |
![Bootlegged at the Temple [2000]. New Zealand [kiwi] independent folk/singer/songwriter Daniel Gannaway.](/dg-assets/DG003-cover-200px.jpg) |
Tracklist:
01 - Zebra crossing
02 - Pretty good effort
03 - Sarah
04 - Fireescapes
05 - Look Mama!
06 - Are you a free (wo)man?
07 - Echoes
08 - F**k the gardeners
09 - Midnight's gone
10 - Good job?
>> Hear it @ CD Baby or iTunes or...
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Daniel's third album, Bootlegged at The Temple, came at a time when Daniel was fascinated with the idea of "a guy doing his thing, unannounced in a bar."
"I wasn't on the gig guide," Daniel says of the nights in question.
"They were spontaneous sessions, testing out tunes in new ways and just kinda playing to anyone that happened onto me."
It was to be an experiment in playing and relating to strangers - strangers without expectations and without an inkling of what was in store for them. The liner notes to the album 'Bootlegged At The Temple' give an interesting angle on its background, but, as Daniel continues, the primary motivation was that
"I was just fascinated by musicians doing their thing, without all the fanfare."
"I'd travelled a lot and seen several really amazing musicians, just kind of spontaneously pulling up and playing in a local bar - and loved it."
So much so, in fact, that the idea of simplifying his modus operandi was simply too tempting to refuse.
"Rather than setting up a live recording, I chose a more realistic and honest portrayal - involving playing to whomever, and not to an invited audience."
At the same time, however, it should be noted that Daniel was a sometime regular fixture at The Temple and elsewhere - filling the venue on official, promoted gig nights.
As a cathartic exercise - in the same way Aristotle suggested that art can purify the emotions - Daniel saw 'Bootlegged At The Temple' as "my way of bootlegging myself."
"Doing an unannounced gig - like those whom had inspired me - I took the chance that no-one would be interested, but people that were there enjoyed what I was doing."
It is a little rawer than his previous or later works, but not unpolished. Daniel weaves his way around the familiar tracks with such a natural grace that they appear to be almost completely new. Zebra Crossing, for example, broods and shines "stinging like needles of joy" as Daniel so eloquently puts it. Midnight's Gone, on the other hand, shares the warmth and conviviality of The Temple, wherein Daniel simply "takes the floor (to) maybe play a song." Herein lies the essence of Bootlegged: simply an audience, a musician, and a quiet venue . . . - no hype. Tracks such as new one Echoes - "we might just be trying to set up a home, but even when we're fused together we shut our eyes to be alone"; and Look Mama - "Mama, I been dabbling in things I shouldn't had all of my life for the thrill of it" strike deep with their poetic, though harsh, reality. There's also Fuck The Gardeners, Are You A Free (Wo)Man? - "Thought you might like a wristwatch, but why remind you of time?" - Fireescapes, Good Job? and Sarah (all from FINE BY ME and flashback) to round out the album along with the other new song Pretty Good Effort - " I said I think I'm making a pretty good effort at using my limited talent and if I'm ever to reach the sky, first I got to get by".
In context with Daniel's previous two albums - 'FINE BY ME' and 'flashback' - and subsequent release 'Bound and Suburban', 'Bootlegged' is a departure, which provides the listener a greater perspective on all of his work. Bootlegged is a great live album, which, over time, becomes as much a voyage of discovery and inspiration for the listener as for the musician himself.
Justin Walsh
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Quotes:
"... Perhaps politics might actually catch on if Gannaway were doing the singing [OP-ED], instead of John Ashcroft's barbershop quartet. It's a thought. But until the Republican or Democratic National Convention is converted into a Broadway musical, we'll have to make do with Daniel. And that's going to be just fine for fans of indie folk pop with a message." - Indie-Music
"...The great aspect of the album [SUMMER STORM] is that each song's arrangement maintains a minimalistic nature, which shows a discipline and a depth of understanding on Gannaway's part. Underneath the ukulele, the cruising drums and harmonic supporting bass grooves provide an all around easy and easily recommendable listen..." - NZ Musician Magazine
"...Down to earth and laid back, it has none of the musical tension of trying too hard or the injection of false emotions. Suburban folky and bohemian chic, it [darling one year] ties up agreeably layered and distorted vocals into an angst-ridden, quirky pop as catchy as The Strokes but easily as mysteriously engaging as James Keenan Maynard..." - Indie-Music
"...[Bound and Suburban] like walking alone on the beach at night and seeing Jim Morrison and Jeff Buckley strumming and singing at the waters edge..." - Indie-Music
"...Herein lies the essence of Bootlegged at the Temple: simply an audience, a musician, and a quiet venue... - no hype... In context with Daniel's previous two albums - FINE BY ME and flashback* - and subsequent release 'Bound and Suburban', 'Bootlegged' is a departure, which provides the listener a greater perspective on all of his work. Bootlegged is a great live album, which, over time, becomes as much a voyage of discovery and inspiration for the listener as for the musician himself." - Justin Walsh |
Track 01: Zebra crossing [from FINE BY ME]
Music & Lyrics by Daniel Gannaway/Apra © 2000
Eddie's old album's on the stereo
Richie's at the stove
Food in the making
We have returned in from Parisian cold
The sting in my hands
It feels like needles of joy
Warmth's telling me it's tale
Over a red bottle of wine
Hey you candles in the corner
Won't you bare your flicker here?
This bread lies half eaten
Accompanied by my vacant stare
Here I am
Stumbling over my thoughts of you
My mind's elsewhere
My mind's elsewhere
My life in between one place and the other
Soon I return to finish it I will replace it with another
I will sort through these documents I will file away the hurt
I'll sign over ownership then I'll leave without my heart
My heart
My heart
Period of my life is at end you know I'm a zebra crossing
I'm standing on the street edge now baby am I ready to start walking?
I'm stumbling over my thoughts of you
My mind is elsewhere
My mind is elsewhere
Oh my
My mind
My mind
Cats and their colors
Leopards and their spots
And all the changes we don't think we're capable of
I was a boy in the Pacific yeah inside I think I still am
Speaking to the seagulls as they stand before me in the sand
Then there was no confusion with an ocean God as my sun
The whales passing in the night on their migratory run
I feel them running
Do you feel them running my friend
I feel them running
What are they running from?
You got my mind
You got my soul
Now you want my heart baby you got it all
You got my mind
You got my soul
You got my heart baby
You want it all
You want it all
You want it all
You got control
You want it all
You got it all
You want it all
You want it all
You got control
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Track 02: Pretty good effort
Music & Lyrics by Daniel Gannaway/Apra © 2000
He said he said he said
Pretty good effort pretty good effort
For a guy with little talent
Pretty good effort pretty good effort
For a guy with little talent
Pretty good effort you made a few people smile
Hey they probably want more of you
Even though you've not paid any dues
And though you might be on the tips of they're tongues right now
They'll forget you in a second
You'll never reach the sky sky sky sky
And some of us have been plugging this circuit
We been years in the making ourselves get up for years
And there are few opportunities to get a deal doing what you love
So we all got a killer instinct why don't you beware of it
Why don't you stay clear of it
Why don't you beware
Why don't you stay clear
Well I said I think I'm making a pretty good effort
At using my limited talent
And if I'm ever to reach the sky
First I got to get by
And I know you been plugging this circuit
I know you been getting up for years
As a rookie I got nothing but respect for you
Or anyone who gets up here
But I'm using my talent
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Track 03: Sarah [from flashback*]
Music & Lyrics by Daniel Gannaway/Apra © 2000
Oh come on Sarah
Pull us together
We're not defunct
Just under weather
And I'm not the man for this job
No I'm not the man for this job
Oh come on Sarah
Tell me it's not true
You've the strength of will
To carry us through
And I'm not the man for this job
No I'm not the man for this job
I'm a man who used to land jet aeroplanes
Solely responsible for three hundred lives
But somewhere out there my abilities crashed to the ground
My nerves put me off you know they've never been found
Oh come on Sarah
Don't run off on me now
Youre the one way I handle
What's going on in my world
And I'm not the man for this job
No I'm not the man for this job
I'm a man who used to land jet aeroplanes
Solely responsible for three hundred lives
But somewhere out there my abilities crashed to the ground
My nerves put me off you know they've never been found
Sarah
Sarah
Sarah
Sarah
I'm that man used to land jet aeroplanes
And when we made love I swear we'd burn in flames
Oh but somewhere out there my abilities crashed to the ground
My nerves put me off they've never been found
No no no no
Sarah Sarah
Sarah Sarah
Am I still your man?
Am I still your man Sarah?
Am I still your man?
Am I still your man sarah?
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Track 04: Fireescapes [from FINE BY ME]
Music & Lyrics by Daniel Gannaway/Apra © 2000
Since I met you
Since I met you
Since I met you
Since I met you
I've been standing in fireescapes
I've been screaming at the top of my lungs
Just to get it out
But all it does is bounce
Up ten floors and back down
Stops in front of me says hey! Daniel
Hey what is wrong?
Are you too scared to wear your face?
Are you too scared to use your voice?
Are you too scared to be yourself?
Are you too scared to be yourself?
Be myself
Be myself
Now when I walk out my door
Since I first had that little talk with you
It's been following me like another
In my head and upon my shoulder asking
Are you too scared to wear your face?
Are you too scared to use your voice?
Are you too scared to be yourself?
Are you too scared?
Are you too scared?
Well yes I'm scared
Are you gonna laugh and break my balls?
Yes I'm scared
But this corners getting too small
Yes I'm scared
cause I don't want to be your window shopping
You don't have to buy me
No you can leave me hanging
Hanging hanging hanging hanging
In fire escapes
Well yes I'm scared
Are you gonna laugh and break my balls?
Yes I'm scared
But this corners getting too small
Yes I'm scared
cause I don't want to be your window shopping
You don't have to buy me
No you can leave me hanging
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Track 05: Look Mama! [a postcard from NY] [from flashback*]
Music & Lyrics by Daniel Gannaway/Apra © 2000
I yelled look Mama no hands!
As I was riding down Mount Airy Road
And I know you were not there
But you'd have shaken your head
I'm just a dreamer Mama still riding my bike
I'll be middle aged soon Mama I'll still not be grown up
I'm the reject of many relationships Mama
I'm difficult and better off on my own
I'm the reject of many job prospects Mama
Any skills I have this world's outgrown
I know you wish I'd steady on there Mama
But balance is something I've never never known
I'm just a dreamer Mama still riding my bike
I'll be middle aged soon Mama I'll still not be grown up
I was yelling look Mama!
Look Mama! as I was riding
Look Mama! as I was riding
Look Mama! as I was riding
Look out son!
Look out son!
Then a state trooper cited me for peddling reds
Said I could of been hit by an oncoming flatbed
Mama I been dabbling in things I shouldnt a had
All of my life for the thrill of it
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Track 06: Are you a free (wo)man? [from FINE BY ME]
Music & Lyrics by Daniel Gannaway/Apra © 2000
I'm sending a present of someone I like
Music you should hear in the dark
Or lying on your back in a spacious place
Like the desert or a park
I thought you might like a wrist-watch
But why remind you of time?
We've talked enough of it running out
You of yours and me of mine
Quarter century quarter century
I try not to look and count
But I check the scoreboard
It's a quarter century
Hope you're near to knowing what you want
I'm out of here soon maybe days
I've seen a little and I've lived a lot
They've cut my contract they cannot sell me
They don't want to hear what I've got
So I won't play for them
I won't play for them
I will not play for them
I won't play for them
But I'll play for you
My flatmate left his steak on the floor
Lost himself in the night
He drags me into all manner of things
But I can't blame him for my part
Well I'm gonna take a break now
From microscopes and fakes
I'm gonna lock myself up in a room
Gonna sweat it out and listen to
What I won't play for them
I won't play for them
I will not play for them
I quite hapy playing for you
And I know you hear me this time
Or when I next see you again 'cause your my friend
But do not ask me for surprises no no no
'Cause I'm empty of them
Empty of them
Empty
And so there goes my letter to you my friend
And so there goes my letter to you my friend
I hope you sig along
I hope that you are a free woman
I hope that you are a free man
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Track 07: Echoes
Music & Lyrics by Daniel Gannaway/Apra © 2000
These are echoes of daydreams
Space and black
Oh she slips me inside she
Takes me deep I'm taken aback
Candy dissolves in fire
Oh the sweetness of this bliss
Blanket wrapped and smooth on
The wind I'm blown her kiss
I'm blown her kiss
Oh my freedom cries out and clenches
My teeth before simul-gasp
This crawling leads on to running
And on from life until our deaths
Until our deaths
And on from life until our deaths
And on on on and on from life until our deaths
Oh it seems we're sight-seers
We might just be trying to set up a home
But even when we're fused together
We shut our eyes to be alone
Yet we're selfish enough
To share some of this love
This love that's skipping off these tones
Of all these lies we say we keep until morning
Lies that decay my bones
Decay my bones
Decay my bones
All my lie lie lie all my lies they decay my bones my bones
All my lie lie all my lies they decay my bones my bones
You see I lied to her
I said hey I do not love you
I said hey I do not love you
I said hey I do not love you
Oh how I lied
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Track 08: F**k the gardeners [tall poppy syndrome] [from flashback*]
Music & Lyrics by Daniel Gannaway/Apra © 2000
It's not luck in my life that my friends want to move on
They don't care for this syndrome and they stand tall
They say do the best you can don't matter if you fuck up
But don't listen to those gardeners they're just out to
Cut you down they want to cut you down
They want to cut you they'll cut you down
They want to cut you down down
Fair bit of mockery goes down around their house
I don't see them much but when I do there's no where else
You can laugh your head off or admit you messed up
Without some gardener there just poised to
Cut you down they want to cut you down
They want to cut you they'll cut you down
They want to cut you down down
They want to cut cut cut any poppy
They want to cut cut cut any poppy
They want to cut cut cut any poppy
They want to cut cut cut any poppy
So many gardeners here I had to see the world
I ain't seen enough yet but enough to tell you
There's so many people proud and out to help
They're gonna walk all over those who are just out to cut
Cut you down they want to cut you down
They want to cut you they'll cut you down
They want to cut you down down
They want to cut cut cut the poppies
They want to cut cut cut any poppy
They want to cut cut cut any poppy
They want to cut cut cut any poppy
Stand tall
Stand tall
Stand tall
Stand tall
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Track 09: Midnight's Gone [from FINE BY ME]
Music & Lyrics by Daniel Gannaway/Apra © 2000
Midnight's gone and I'm still awake
I've a feeling this has happened to me before
Midnight's gone and left me behind
My duty seems to be to bring up the dawn
I'm losing sleep
Watching the man swim in the moon
Trees are tripping up while these lamposts they are walking
Gutters are cluttered with the know of street talking
Midnight's gone and I'm still awake
Midnight's gone and I think it's too late
So I come here I say hey Karyn
She lets me into this Temple Bar on the premise I'll take the floor
Maybe play a song
And then she knows
She says she knows that girl who's perfect for me
She could tell you too but she won't because
That's between Karen and I
Midnight's gone and I think it's too late
Midnight's gone and I'm still awake
So I'm skipping off down Queen Street
My destination's become that tall tower
I think I'm gonna climb up and watch the beginning of light
You know the sun the sun thesun's gonna chase away the night
Midnight's gone and I'm still awake
Midnight's gone and I think it's too late
Midnight's gone
Midnight's gone
It's gone it's gone
My mouth is heavy with all this thought
Some kind of unchained untamed thought
Seems like too much to give up so soon
But sleep's coming on with a crash and a boom
Sleep's coming on with a crash
Sleep's coming on with a crash
Sleep's coming on with a crash
Sleep's coming on with a crash and a
Boom boom boom boom da da da da da da ...
Sleep's coming on with a crash and a boom
Sleep's coming on coming on so soon
Sleep's coming on with a crash and a boom
Sleep's coming on
I can feel it coming on too soon
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Track 10: Good job? [from flashback*]
Music & Lyrics by Daniel Gannaway/Apra © 2000
You have done us wrong
And you have stolen our stuff
And gauging from the talk around here
If you get found out you'll get messed up
Now I can't do physical
but I'd like to get inside your head
Figure out if it was for survival
Or if you're just a low-life and a dreg
Is that all that you are?
Are you spit in a glass?
Are you just a thief?
Steals others keep
Well Bethells is a fine place
Wild and black on the sea
Where people should chill out
Without anxiety
But you smashed the car
Ruined a day in the sun
You took my personal thoughts
And all of our possessions
Are you just a fucking thief?
Are you just a thief?
Are you just a thief?
Are you just a thief?
Oh you're a thief
Oh you're a thief
Oh you're a thief
Oh you're a thief
Well bethells is such a fine place
So wild and black on the sea
Where people should be able to chill out
Without anxiety
Anxiety
But you stole everything we had in our car
And though I feel invaded I think I'm going to leave you
In the hands of karma
Karma
Karma |
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